2014.12.08. Mirela Mercean - Ţârc, REPERE ÎN ANALIZA INTERPRETATIVĂ COMPARATĂ A CANTATEI BAROCE BARBARA STROZII - CANTATA LAGRIME MEI, http://almanah-euterpe.blogspot.ro/2014/12/landmarks-in-comparative-analiysis-of.html, Keywords: comparative analysis of performance, baroque cantata, Barbara Strozzi, Lagrime mei, Abstract: The paper aims to reveal several criteria of comparative analysis in the performance of baroque cantata using as exemple the Barbara Strozzi’ s Lagrime mei. The general criteria refers to knoledge of general hystorical biographical frame and the particular criteria, important for the study of the performance, are: the structure of the cantata, the mesage of the poem, the early bel canto style, the basso continuo specific. Concearning the bel canto hystorical style is important to observe: messa di voce, portamenti, coloratura, ornamenti, rubamente di tempo, the articulatory pauses, filatti on acutes notes and the improvisation in the da capo segments, notation of the continuo. The most important aspects of the performance, a comparative analysis shall include: tempo, dynamics, agogic, character, technical elements of the vocality, ornamentics and the improvisation. The comparative analisys was made on three referential performances: Emanuella Galli and the Galilei Ensamble conduced by Paul Beier, Pamella Lucciarini and Giacomo Barchiesi (gravicembalo), Celline Scheen and the Cappella Mediterrannea Ensamble.
2011 06 30 - 2014 11 30
Articole - Studii / Articles – Studies: 60
Conferinţe / Conferences: 10