*
2015.04.01., Evanthia-Maria Marta, BIJUTERII MUZICALE LA CASA MEMORIALĂ „AUREL LAZĂR” EDIȚIA A II-A, http://almanah-euterpe.blogspot.ro/2015/04/musical-jewelry-at-memorial-house-aurel.html,
Keywords: Andrada Ciupeiu, Henrietta Varady, Tudor
Gliga, Tudor Ciupeiu, Johann Kaspar Mertz, Antonin Dvořak, Pablo de Sarasate,
Ciprian Porumbescu, Josef Suk, George Enescu, A. B. Mangoré, ballad, The
Memorial House: „Aurel Lazăr”, Aurel Chiriac, Faculty of Arts of the University
of Oradea
Abstract: Evenings with Musical
Jewelry at
The Memorial House: „Aurel Lazăr” – Oradea had the second edition on Wednesday,
April 1st, and the repertoire was centered on the ballad genre or
the epic character of the presented pieces. The soloists were PhD. Andrada Ciupeiu (violin), Henrietta Varady (piano)
and Tudor Gliga (guitar). Before each interpretation, PhD.
Tudor Ciupeiu
exposed a short presentation of the context or the most important aspects of
each work composing and significance.
*
2015.01.29. Evanthia-Maria Marta, SERATE CU BIJUTERII MUZICALE LA CASA
MEMORIALĂ „AUREL LAZĂR” Ediția I / EVENINGS WITH MUSICAL JEWELRY, http://almanah-euterpe.blogspot.ro/2015/01/evenings-with-musical-jewelry.html,
Keywords: The Memorial House: „Aurel Lazăr”, Faculty
of Arts of the University of Oradea, Aurel
Chiriac, Andrada Ciupeiu, Tudor Ciupeiu, Tóth Johanna, Réthi Brigitta Alexandra Dudaş, Bodizs Ervin, Maria Duțu,
Larisa Ștefan, Filomena Giordano, Ramona Rațiu, Tudor Gliga, Cristian
Gheorghiu, Ramona Chiş, Vlad Coşarcă, Ionuț Chilințan, Theodore Coresi, Beke
Istvan, J.S. Bach, Fr. Veracini, W.A. Mozart, R. Schumann, J. Brahms, J.
Strauss, L. Delibes, S. Clark, E. Ysaÿe, G. Puccini, Fr. Lehár, S. Rachmaninov,
G. Enescu, A. B. Mangoré, W. Walton, M. Pujol.
Abstract: Evenings with Musical Jewelry, representing a season of concerts, is a new project initiated by three members of the pedagogical staff from the Faculty of Arts of the University of Oradea: professor PhD. Aurel Chiriac, PhD. Tudor Ciupeiu, PhD. Andrada Ciupeiu, to ensure the musician students the ability to use their talent in public appearance, and this suite of musical events had the first edition on Thursday, January 29, 2015, at The Memorial House: „Aurel Lazăr” – Oradea.
Box / Rubrica 3: Reviews
Recenzii / Reviews: 5
Cronici / Chronicles: 6
Abstract: Evenings with Musical Jewelry, representing a season of concerts, is a new project initiated by three members of the pedagogical staff from the Faculty of Arts of the University of Oradea: professor PhD. Aurel Chiriac, PhD. Tudor Ciupeiu, PhD. Andrada Ciupeiu, to ensure the musician students the ability to use their talent in public appearance, and this suite of musical events had the first edition on Thursday, January 29, 2015, at The Memorial House: „Aurel Lazăr” – Oradea.
*
2014.11.21., Mirela Mercean –
Ţârc, ZILELE BÁNFFY
MIKLÓS LA OPERA MAGHIARĂ DIN CLUJ / BÁNFFY MIKLÓS DAYS AT THE HUNGARIAN OPERA
FROM CLUJ, http://almanah-euterpe.blogspot.ro/2014/11/banffy-miklos-days-at-hungarian-opera.html,
Keywords: Bánffy Miklós Days, Hungarian Opera from Cluj -
Napoca, reconstruction of the 1918 premiere of Bluebeard
Castle by Béla Bartók, Wooden Prince, Miklós
Szinetár, The Great Lord - Count Bánffy
Miklós, Molnár
Mária, Szilágyi János, Lörincz Gyula, Szebeny
Zsuzsa, György Selmeczi, Ókovács Szilveszter, Szep Gyula, Balázs Barbara, Pataki Adorján, Palerdi András Vigh Ibolya Egyed Apollónia Covacinschi Yolanda, Bardon Tony, Sándor
Árpád, Sándor Csaba, Balla Sándor, Kulcsár
Szabolcs,, Kolonits Klára and Nyári Zoltán, Palerdi András, Dance of Salome -Jakab Melinda,Szegő
András, Kozmér Alexandra, Cserta József.
Abstract: From
18 to 20 of November 2014 took place at the Hungarian Opera from Cluj- Napoca,
a commemorative festival dedicated to a great director, designer, painter,
writer, politician and visionary man of culture which was count Bánffy Miklós.
Originary from Transylvania where his family owned the castle of Bonțida, near
Cluj, and despite all political and historical vicissitudes, count was stubborn
to remain an artist. Once appointed as manager at the Opera of Budapest
1912-1918, he reformed the repertoire policy, risking to stage two obscure
works written by an young, unknown and refused composer
named Bartók Béla: The Bluebeard’s Castle
and the Wooden Prince.
The events brought together leading men of Romanian and Hungarian opera’s
world, four managers: mister Ókovács Szilveszter
(Budapest) Marius Budoiu (Romanian Opera from Cluj-Napoca), Razvan Ioan Dincă
(National Opera from Bucharest) and the host of events, mister Szép Gyula
(Hungarian Opera from Cluj), the famous director of film and opera Szinetár Miklós,
two conductors Selmeczi György and Kulcsár Szabolcs, the orchestra of the
Hungarian Opera from Cluj, designers, dancers, musicians, singers, performers
from Budapest and Cluj-Napoca. One of the most important events was the
reconstruction of the 1918 premiere of Bluebeard Castle opera, whose costume
and stage design was created by count Bánffy Miklós no more than a hundred years ago. The artists who gave life to this opera
was the performers: Molnár Mária (Judith) and Szilágyi
János (Bluebeard Prince), Lörincz
Gyula – stage designer, Szebeny Zsuzsa - costume designer, Szinetár
Miklós - director, Hungarian Opera Orchestra conducted by Selmeczi György. Of a particular and significant importance was the representation of
two artistic films signed by Hungarian director Szinetár Miklós
- The Great Lord- Count Bánffy
Miklós
and the 1984 opera moovie, The Bluebeard
Castle (conductor Georg Solti) followed by interesting discussions with the
director.
The Opera Gala In memoriam Bánffy Miklós from 20-th of November,
was presented by the manager of the Opera from Budapest mister Ókovács Szilveszter, the manager of Hungarian Opera from Cluj Szép
Gyula and the director Szinetár Miklós. In the first part, the orchestra,
choir, and soloists of Hungarian Opera from Cluj: Balázs
Barbara, Pataki Adorján, Palerdi András Vigh Ibolya Egyed
Apollónia Covacinschi Yolanda, Bardon Tony, Sándor Árpád, Sándor Csaba, Balla
Sándor, performed arias, duets and sextet, choirs from Mozart and Verdi operas
conducted by Kulcsár Szabolcs. In the second part,
the soloists of the Budapest, Kolonits Klára and Nyári Zoltán brightly
performed arias and duets, from Hoffmann’
s Tales by Offenbach, and Palerdi András with arias from Mozart operas. Two
dances marked the spectacular end: Dance
of Salome, from omonime opera by Richard Strauss performed and created by
choreographer Jakab Melinda, and Pas de
deux, Puppett Dance from Wooden
Prince by Bartók Béla performed by Hungarian dancers Szegő
András, Kozmér Alexandra and Cserta József.
*
Box / Rubrica 3: Reviews
Recenzii / Reviews: 5
1. 2011.07.05.
Autor / Author: Mircea Valeriu Diaconescu Autor / Author: Felician
Roşca Prof.univ. Dr. Universitatea de Vest din Timişoara - Facultatea de
Muzică - Psalmi Hugenoţi article, http://almanah-euterpe.blogspot.com/2011/05/psalmi-hugenoti.html
2. 2011.04.21.
Joi / Thursday Editura Universităţii din Oradea Redactor / Editor: Carmen
Vasile Conf.univ. Dr. Universitatea din Oradea - Facultatea de Muzică http://almanah-euterpe.blogspot.ro/2010/10/index-vasile-carmen.html
www.carmen-vasile.blogspot.com
-
Deceniu muzical universitar article, http://almanah-euterpe.blogspot.com/2011/04/deceniu-muzical-universitar.html
3. 2011.01.10.
Luni / Monday ora / h. 16:30 Oradea - Librăria Gutenberg Autor / Author: Mihai
Vieru Asist.univ. Dr. Universitatea din Oradea - Facultatea de Muzică - Poate
ne vedem - antologie article, http://almanah-euterpe.blogspot.com/2011/01/poate-ne-vedem-antologie.html
4. 2010.12.23.
Joi / Thursday Autor / Author: Mihai Vieru Asist.univ. Dr. Universitatea
din Oradea - Facultatea de Muzică - Poesis internaţional - NR. 1 article, http://almanah-euterpe.blogspot.com/2010/12/poesis-international-nr-3.html
5. 2010.12.12.
Duminică / Sunday Oradea - Editura Imprimeriei de Vest Cuvânt înainte /
Foreword: Carmen Vasile Conf.univ. Dr. Universitatea din Oradea -
Facultatea de Muzică http://almanah-euterpe.blogspot.ro/2010/10/index-vasile-carmen.html
www.carmen-vasile.blogspot.com
-
Dansuri şi jocuri populare article, http://almanah-euterpe.blogspot.com/2010/12/dansuri-si-jocuri-populare-carte.html
Cronici / Chronicles: 6
1. 2015.01.29.
Joi / Thursday Autor / Author: Evanthia-Maria Marta Lect.univ. Dr. Universitatea
din Oradea - Facultatea de Arte http://almanah-euterpe.blogspot.ro/2010/10/index-marta-evanthia-maria.html
-
SERATE CU BIJUTERII MUZICALE LA CASA MEMORIALĂ „AUREL LAZĂR” Ediția I
/ EVENINGS WITH MUSICAL JEWELRY article, http://almanah-euterpe.blogspot.ro/2015/01/evenings-with-musical-jewelry.html Keywords: The Memorial House: „Aurel Lazăr”, Faculty of Arts of the University of Oradea, Aurel Chiriac, Andrada Ciupeiu, Tudor Ciupeiu, Tóth Johanna, Réthi Brigitta Alexandra Dudaş, Bodizs Ervin, Maria Duțu, Larisa Ștefan, Filomena Giordano, Ramona Rațiu, Tudor Gliga, Cristian Gheorghiu, Ramona Chiş, Vlad Coşarcă, Ionuț Chilințan, Theodore Coresi, Beke Istvan, J.S. Bach, Fr. Veracini, W.A. Mozart, R. Schumann, J. Brahms, J. Strauss, L. Delibes, S. Clark, E. Ysaÿe, G. Puccini, Fr. Lehár, S. Rachmaninov, G. Enescu, A. B. Mangoré, W. Walton, M. Pujol Cuvinte cheie: Casa memorială „Aurel Lazăr”, Facultatea de Arte a Universității din Oradea, Aurel Chiriac, Andrada Ciupeiu, Tudor Ciupeiu, Tóth Johanna, Réthi Brigitta Alexandra Dudaş, Bodizs Ervin, Maria Duțu, Larisa Ștefan, Filomena Giordano, Ramona Rațiu, Tudor Gliga, Cristian Gheorghiu, Ramona Chiş, Vlad Coşarcă, Ionuț Chilințan, Theodore Coresi, Beke Istvan, J.S. Bach, Fr. Veracini, W.A. Mozart, R. Schumann, J. Brahms, J. Strauss, L. Delibes, S. Clark, E. Ysaÿe, G. Puccini, Fr. Lehár, S. Rachmaninov, G. Enescu, A. B. Mangoré, W. Walton, M. Pujol Abstract: Evenings with Musical Jewelry, representing a season of concerts, is a new project initiated by three members of the pedagogical staff from the Faculty of Arts of the University of Oradea: professor PhD. Aurel Chiriac, PhD. Tudor Ciupeiu, PhD. Andrada Ciupeiu, to ensure the musician students the ability to use their talent in public appearance, and this suite of musical events had the first edition on Thursday, January 29, 2015, at The Memorial House: „Aurel Lazăr” – Oradea.
/ EVENINGS WITH MUSICAL JEWELRY article, http://almanah-euterpe.blogspot.ro/2015/01/evenings-with-musical-jewelry.html Keywords: The Memorial House: „Aurel Lazăr”, Faculty of Arts of the University of Oradea, Aurel Chiriac, Andrada Ciupeiu, Tudor Ciupeiu, Tóth Johanna, Réthi Brigitta Alexandra Dudaş, Bodizs Ervin, Maria Duțu, Larisa Ștefan, Filomena Giordano, Ramona Rațiu, Tudor Gliga, Cristian Gheorghiu, Ramona Chiş, Vlad Coşarcă, Ionuț Chilințan, Theodore Coresi, Beke Istvan, J.S. Bach, Fr. Veracini, W.A. Mozart, R. Schumann, J. Brahms, J. Strauss, L. Delibes, S. Clark, E. Ysaÿe, G. Puccini, Fr. Lehár, S. Rachmaninov, G. Enescu, A. B. Mangoré, W. Walton, M. Pujol Cuvinte cheie: Casa memorială „Aurel Lazăr”, Facultatea de Arte a Universității din Oradea, Aurel Chiriac, Andrada Ciupeiu, Tudor Ciupeiu, Tóth Johanna, Réthi Brigitta Alexandra Dudaş, Bodizs Ervin, Maria Duțu, Larisa Ștefan, Filomena Giordano, Ramona Rațiu, Tudor Gliga, Cristian Gheorghiu, Ramona Chiş, Vlad Coşarcă, Ionuț Chilințan, Theodore Coresi, Beke Istvan, J.S. Bach, Fr. Veracini, W.A. Mozart, R. Schumann, J. Brahms, J. Strauss, L. Delibes, S. Clark, E. Ysaÿe, G. Puccini, Fr. Lehár, S. Rachmaninov, G. Enescu, A. B. Mangoré, W. Walton, M. Pujol Abstract: Evenings with Musical Jewelry, representing a season of concerts, is a new project initiated by three members of the pedagogical staff from the Faculty of Arts of the University of Oradea: professor PhD. Aurel Chiriac, PhD. Tudor Ciupeiu, PhD. Andrada Ciupeiu, to ensure the musician students the ability to use their talent in public appearance, and this suite of musical events had the first edition on Thursday, January 29, 2015, at The Memorial House: „Aurel Lazăr” – Oradea.
2. 2014.11.21.
Vineri / Friday Autor / Author: Mirela Mercean - Ţârc Conf.univ. Dr. Universitatea
din Oradea - Facultatea de Arte http://almanah-euterpe.blogspot.ro/2010/10/index-mercean-tarc-mirela_1.html
-
ZILELE BÁNFFY MIKLÓS LA OPERA MAGHIARĂ DIN CLUJ / BÁNFFY MIKLÓS DAYS AT THE
HUNGARIAN OPERA FROM CLUJ article, http://almanah-euterpe.blogspot.ro/2014/11/banffy-miklos-days-at-hungarian-opera.html
Keywords:
Bánffy Miklós Days, Hungarian Opera from Cluj - Napoca, reconstruction of the
1918 premiere of Bluebeard Castle by Bartók Béla, Wooden Prince, Szinetár
Miklós, The Great Lord - Count Bánffy Miklós, Molnár Mária, Szilágyi János,
Lörincz Gyula Szebeny Zsuzsa, Selmeczi György, Ókovács Szilveszter, Szép Gyula,
Balázs Barbara, Pataki Adorján, Palerdi András Vigh Ibolya Egyed Apollónia
Covacinschi Yolanda, Bardon Tony, Sándor Árpád, Sándor Csaba, Balla Sándor,
Kulcsár Szabolcs, Kolonits Klára and Nyári Zoltán, Palerdi András, Dance of
Salome - Jakab Melinda, Szegő András, Kozmér Alexandra, Cserta József.
3. 2013.05.15.
Mirecuri / Wednesday Oradea Autor / Author: Evanthia-Maria Marta Lect.univ.
Dr. Universitatea din Oradea, Facultatea de Arte http://almanah-euterpe.blogspot.ro/2010/10/index-marta-evanthia-maria.html
-
MIRELA MERCEAN ȚÂRC: CRISTALIZAREA FORMEI DE SONATĂ ÎN SECOLUL AL XVIII-LEA
– ÎN LITERATURA MUZICALĂ PENTRU INSTRUMENTE CU CLAVIATURĂ – recenzie ̸ MIRELA MERCEAN ȚÂRC: THE SONATA FORM
CRYSTALLIZATION IN THE 18TH CENTURY – IN THE MUSICAL LITERATURE FOR KEYBOARD INSTRUMENTS
– review article, http://almanah-euterpe.blogspot.ro/2013/05/mirela-mercean-tarc-cristalizarea.html
Keywords:
sonata form, Baroque sonata, the classic sonata pattern, aestethic conception,
mono-bi-multi-themed, dramaturgy, binary form, ternary, Domenico Scarlatti,
Carl Philipp Emanuel Bach, Domenico Cimarosa, J. Haydn, W.A.Mozart, L. van
Beethoven. Abstract: In his volume: The Sonata Form Crystallization in the 18th
Century – in the Musical Literature for Keyboard Instruments, the author Mirela
Mercean Țârc provides to us a consistent and detailed documentation concerning
the evolution of sonata form until the completion of its general classic
pattern. Presentation of valuable opinions authors expressed themselves in this
respect, through the filter of the scientist follows the plan of a logical and
analytical research. The exposure starts from a fundamental premise, namely the
transformations taking place in the aesthetic vision of the confluence of
classicism and Baroque eras: If for the musical language the expression of
"a single effect, decomposed, detailed, endlessly configured in another
way but always qualitatively identical to itself" was a major objective of
the Baroque, "the hallmark of the new aesthetic is the freedom of States
to not fall exclusively within the scope of a single mood but to progress from
one to another" – page 4, where is being quoted the work Classicism from
Bach to Beethoven (page 275 and page 277) of Wilhelm Georg Berger. Based on
this differentiation in the aesthetical conception area, architectural pattern
will follow an evolutionary path that, says the author, knows three steps: „the
first phase, between the years 1700-1735, of the Baroque sonata form – a binary
shape – the second stage, between 1735-1770 preclassical mono-bi-multi-themed
binary form, and the third stage (1770-1800), of the bi-themed, ternary
classical sonata. In this last stage of becoming, the crystallization of the
innovative thinking subsumed discursive elements, will follow its natural
course of enrollment in the classical style, through synthesis operated by the
big three `playwrights` of the musical language, Haydn, Mozart, Beethoven.”
(page 4-5).
The author’s interest is made for the first two stages, the less addressed from the perspective of `germ` detection in various movements of works named "sonata", composed until about the year 1770, and who will determine the main features of the classic sonata form crystallized in the third phase, more often and in detail analyzed.
The author’s interest is made for the first two stages, the less addressed from the perspective of `germ` detection in various movements of works named "sonata", composed until about the year 1770, and who will determine the main features of the classic sonata form crystallized in the third phase, more often and in detail analyzed.
4. 2011.03.22.
Marţi / Tuesday OradeaPress Autor / Author: Oana Lianu Conf.univ.
Dr. Universitatea din Oradea - Facultatea de Muzică http://almanah-euterpe.blogspot.ro/2010/10/index-lianu-oana.html
www.oanalianu.ro -
O prezenţă încântătoare la Palatul Cotroceni article, http://almanah-euterpe.blogspot.com/2011/03/emisiune-tv.html
5. 2011.03.11.
Vineri / Friday Autor / Author: Czumbil Bernadette Asist.univ. drd. Universitatea
din Oradea - Facultatea de Muzică - Cu Mozart aproape de perfecţiune article, http://almanah-euterpe.blogspot.com/2011/03/cu-mozart-aproape-de-perfectiune.html
6. 2010.12.30.
Joi / Thursday Oradea - Orădeanul Autor / Author: Mihai Attila Szabo Prof.
Liceul de Artă Oradea - Orădeanul Mihai Szabo este profesorul de chitară
care pregăteşte marii artişti de mâine article, http://almanah-euterpe.blogspot.com/2010/12/oradeanul-mihai-szabo-este-profesorul.html
