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| Petr Zejfart |
Petr Zejfart (n. 1957 Praga). Ulterior absolvirii secţiei de flaut modern la
Conservatorul şi la Academia din Praga, Petr Zejfart a concertat în toată
Europa, în calitate de solist şi membru al unor orchestre de cameră. După ce
s-a mutat în Italia, şi-a continuat studiile sub supravegherea lui Pedro
Memelsdorf la Scuola di Musica Civica di Milano, apoi s-a perfecţionat cu
ajutorul lui Kees Boeke şi Marijke Miessen. În prezent, concertează alături de
grupul Musica Concertiva, pe care l-a fondat. A înregistrat trei CD-uri pentru
Supraphon în aceeaşi formulă. Are la activ cooperări cu grupurile Il Giardino
Armonico, Accademia Bizzantina, Europa Galante, La Venexiana şi Ansamblul
Zefiro, susţinând concerte şi înregistrand pentru Teldec, Virgin şi CPO. Este
interesat în mod special de repertoriul romantic al micilor grupuri
instrumentale şi al orchestrelor de cameră, atât din punct de vedere didactic,
cât şi concertistic. A predat muzică de cameră pentru instrumente de suflat la
Camera Baroc a Conservatorului din Rovigo, între 1986 şi 1995, precum şi la
Conservatorul din Parma, începând cu 1996.
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Petr
Zejfart (b. 1957 Prague). He qualified at the Conservatory and Academy
of Fine Arts with a diploma in modern flute. After moving to Italy, he began
studying the recorder, specialising in the field of Early Music.
He has worked
with important Early music ensembles, such as Il Giardino Armonico, Europa
Galante, Accademia Bizantina, Epoca Barocca, Ensemble Zefiro and La
Venexiana. He has recorded for Supraphon, Teldec, Virgin, Arts and CPO.
Besides
performing as a concert flutist, he also dedicates much of his time to training
young musicians in solo, chamber and in particular orchestral performance,
organising courses in the practical execution of Early music.
He teaches
ensemble music for wind instruments at the "A. Boito" Conservatory in
Parma. In 2006 he directed Requiem K.626 by W.A. Mozart, bringing
together young musicians and singers from 4 European countries in Parma for the
project.
In 2009, he
founded the youth orchestra "ORCHESTRA POSTICUM IUVENTUTIS
INTERNATIONALIS" based in the city of Oradea (RO) together with some
Hungarian colleagues, who he regularly meets for study purposes and concert
trips abroad.
In May 2010, in
the prestigious Haydn Hall at the Esterházy Castle in Eisenstadt (A), he
directed "The Haydn Progressive Orchestra" composed of
students, soloists and choir from various European academies for the first
Austrian rendition of the Oratory "Der Durchzug durchs Rote Meer"
by J.N. Hummel.
Owing to a keen
interest in the organological aspects of music, he has constructed, together
with O. Lusetti and M. Barchi, several important keyboard instruments,
including a positive organ, which is a copy of one by J.G. Naser (Fraustadt
1734) and a German harpsichord with two keyboards, which is a copy of one by
Ch. Zell (Hamburg 1728), both used at concerts and recording sessions for some
of the most renowned Early music groups. The Zell harpsichord was played at the
official opening concert of "Musica e Poesia a San Maurizio"
in Milan in 2006 by Gustav Leonhardt.
Contact:
410477 Posticum,
Oradea – str. Teiului 26.
